Too Fast Apparel Interview

1. Let’s just start by having you tell us how you got into art in the first place. How old were you and what inspired you to start?
I know it sounds totally cliche, but really I started drawing as soon as I could pick up a pencil. I was the kid that didn't really need others around to entertain me, so I would just draw all the time. It wasn't until about 8th grade when I got serious about it. I was enrolled in a summer art class at Repenning Fine Arts in Audubon, NJ, and after seeing what I was capable of I realized that this was what I wanted to do. Before that I had never even touched oil paint, so I had no idea I could paint at all. So that fall I enrolled in the adult class and continued on with that up until I went to college at the University of the Arts.

2. You went to the University of the Arts in Philadelphia. How was that experience?
I would say I had a very good experience there over all. It was tough, I cannot stress that enough. A lot of people think of art school as a cake walk, but they are definitely mistaken haha. But I feel my work really grew by going there. I had wonderful professors who I still keep in touch with and show my work to.

3. Your illustrations are wonderful, but you work in other areas as well. What mediums do you like to work on the most? And where do you see your focus being in the future?
Thank you! My favorite medium is definitely oil paint. I love the richness of it, and I love its consistency and blend ability. As far as my focus in the future, I don't really want to narrow it down to one area. I want to able to try my hands at everything and anything.

4. What artists are you influenced by the most? And do you find inspiration in other places as well?
The artists that have influenced me the more Mark Ryden, Tara McPhearson, and Cam Rackam. Cam Rackam really got me into band artwork after seeing some of the work he did for Avenged Sevenfold when I was younger. I'm also into Italian and Northern Renaissance paintings. Some of favorite painters from that time period art Sandro Bottecelli, Caravaggio, and Jan Van Eyck.
I am also influenced by nature. I grew up and still live in a house with woods in my backyard, and as a kid I loved to explore them. So there are nature elements in a lot of pieces. Other influences are books I may be reading, horror movies, and the music I listen to.

5. What kind of projects can we expect to see from you in 2012?
Well right now I just finished up a show poster for Snow Patrol's show in April at the Electric Factory, and I'm doing the collaboration with Too Fast. Also the print version of AJ Tillock's Grinding Reality: The Forbidden Bean will be coming out so I did the front and back cover for that. I'm also working on some personal pieces that are dark in nature and somewhat dealing with the spiritual. So, expect a lot new things coming from me!

Too Fast

So, I am currently on the end of sealing a deal with Too Fast Apparel for them to be able to use some pieces of mine on their products. I am very excited about this! Soon maybe I will see people wearing my art!

Have A Heart For Horror Cookbook

Crimson Stained Lace's Have A Heart For Horror Cookbook is available for purchase now, featuring my piece In The Birch Trees as the cover.

Get a copy of it today at http://www.crimsonstainedlace.com/

Tree Lady

Here's something in progress for my show that will be in April, date still unknown, so when I find out I will let you know.

This is based on a couple different things. Firstly on a dream I had of a woman turning into a tree. Second, the obsession my friend and I had with the Ouiji board when we were kids.

The painting is oil paint on canvas.

An Interview With Barbara Meyers

Barbara Meyers, author of The Forbidden Bean, recently gave me an interview on my background and process. Here is an excerpt from the interview.

Artist Lindsay Beach created the cover for The Forbidden Bean, the first book in the Grinding Reality series.

Tell us a little about your background and education.
I started drawing at a young age and haven’t stopped since. In high school I took all the art classes I could, including additional classes outside of the school at Repenning Fine Arts in Audubon. After encouragement from several teachers, I decided to go to art school. I studied illustration from the University of the Arts, and received my BFA in illustration.

How did you get started in book cover design?
While I was in school I started designing book covers. I had a target market project my junior year, and I chose to base mine on young adult book covers, and then for my senior thesis I also chose that young adult book cover market. Then after I graduated, Barbara Meyers granted me the opportunity to do her book cover, which was a great experience.

How many covers have you done? (Approximate if you don’t know exact number.)
Currently, I have done two commissioned book covers. While I was in school, I did about six or seven book cover projects.

What do you enjoy about doing cover design?It gives me a chance to tell the reader about the overall tone of the book in one visual cue. In a way it can be a challenge, but I like a challenge.

To read the full interview, please visit her Barbara Meyers' Blog

Work, Work, Work!

So I've got a lot of things I'm working on right now, it's probably best to just put them in list form.
Alright, here it goes!

• A Godzilla themed poster for Hollowbody LA
• A pulp art poster for a Valentines Day themed show at Phantom Hand
• A shirt design for Legs of Cake
• Three personal pieces for a solo show in either April or May at Little Bar

Busy, busy busy! But busy is good. I would rather be busy than not doing anything :)

Oh, and after some thought, I decided to put a little animation I did during college up on youtube, so that my friends and people who follow my work can see. It's very short, but I'm still proud of it.

http://youtu.be/HFpVHLN75ps